"Airto gave me this Brazilian stringed instrument called the berimbau. He gave me a quick lesson in how to play it, and I took it home to practice on. Well, I wound up just staring into the fire and playing this thing for weeks. It just took over; I wouldn't accept phone calls or anything," laughs Hart. "Three weeks later I called up Airto and asked him what the hell was going on!" and he explained that in Brazil the berimbau was used to induce an altered state of consciousness for practicing the martial arts." Hart pauses. "The weird thing is that I've been into the martial arts for years, but had let it go for a while, and then got back into it when I started playing the berimbau . . . And there was Airto talking about how this jungle instrument could take you without you even knowing it!"
From Art Tatum to Marty Robbins, created in the Americana cracks between the Coltrane Quartet, Bob Dylan and Bill Monroe, rising from the counterculture only to take a place among all the other wild Apple Pie slices, reincarnated every 5,000 years in a great cosmic event beyond any individual culture-- what an impossibility of causes and conditions coming together, with an astonishing array of roots and branches: "The Grateful Dead are as American as lynch mobs. America is a complex place."
Sunday, January 30, 2011
Airto Moreira
In a 1981 Musician interview, Hart talks about Airto:
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